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Martha Schwendener. Holland Cotter. But he was not prolific. The 39 beautifully made works in this absorbing exhibition constitute almost three-quarters of his known oeuvre. The s was the time of the rise of a global avant-garde and the resurgence of abstract painting, two phenomena that define the art world of right this minute. His penchant for self-promotion, the work of his competitors and peers, the evolution of tabloid journalism and the great city that was both his subject and his audience are emphasized, with fresh curatorial precision and deftly used touch screens.

Then he reverted to a more traditionally realistic style and produced many portraits of his wealthy friends and benefactors until he died in This incisive show, sampling works from his more than four-decade career, invites reassessment of the later, heretofore less appreciated paintings.

With their emphasis on bright, acid colors and ghetto-fabulous outfits, the paintings borrowed heavily from the work of Barkley Hendricks, although Mr. The result is a fusion of Pattern and Decoration painting with figuration, a mash-up or sampling of historical styles and references. The most riveting and least familiar offerings are a selection of small objects, painted pottery and figures in clay or ivory that date from to B.

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Here they are supplemented by extraordinary outside loans and elegantly displayed in the Robert Lehman Wing. Sometimes it takes an exhibition. In works variously artistic, erotic, scientific, ethnographic, forensic and experimental, we see a medium stretched by human use and imagination. The male gaze is often relentless, but as time passes, individual faces, personalities and relationships come into focus on all sides; consciousness rises and oppressiveness decreases, which is a relief. The none-too-high standards of participatory fun-house formalism are met; those of conventional plop art are barely exceeded.

Whether a this-looks-like-that approach to history is valid is the question; it seems dubious here. But the installation — with fictional chats on film between the fashion titans — is fun, and some of the Schiaparelli clothes look great. But the offerings should nevertheless entice viewers to look more closely at the art of Central Europe, which absorbed diverse religious and stylistic influences from Italian, Dutch and Flemish art. All roads lead to Titian, Tintoretto and Veronese, but detours to lesser-known figures like Palma Giovane and Giulio Campagnola are to be expected.

The dangers are well-illustrated in this artist show. While formally various, almost every piece trades on stereotypical associations with the entropic end to which we all are destined. They range from classic the Dixie cup to cutting edge; cover both analog and digital; and include the tiny the latest in earplugs and the quite large the United States Army Jeep. But within the tightly drawn parameters of this exhibition roughly , Kuehn is a curious and deeply counterintuitive figure, a photographer who felt threatened by the snapshot aesthetic.

Looking ill and overweight, Cy Twombly putters in his cluttered studio and sits and gazes perplexedly into space. Claes Oldenburg is seen dusting pieces from his collection of cheap, kitschy artifacts and rearranging them in a wall of cubby holes. From his wheelchair, Merce Cunningham instructs members of his dance troupe in a cavernous rehearsal hall. Liden looks, dresses and comports herself like a delinquent tomboy. She dances wildly on a public train; beats up a bicycle with a metal pole; and moonwalks like Michael Jackson on dark, deserted city streets.

She also presents a group of public trash receptacles — found or stolen — as sculptures. Djurberg confects short, stop-action movies involving sexual weirdness and grotesque violence. They are funny and disturbing. Be warned: the thematically arranged show throws you into history at the deep end. Almost all the information is strictly visual; there are very few explanatory labels anywhere. But the visuals are so rich, and interact so provocatively, that you may well be inspired to go out and do some homework and come back for a second look.

Also on display: through Jan.

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Galleries: Uptown. He began as an illustrator and during his last half-decade produced mysterious paintings of larger-than-life domestic subjects in a style of simplified realism, with Pop and surrealistic overtones: images of human torsos in old-fashioned garb, fragments of clothing studied at close range, furniture, the corner of a brick wall and a monumental handbag. Looking at them is like seeing through the eyes of a child. Galleries: 57th Street. Alexandre Gallery, 41 East 57th Street, , alexandregallery. View all New York Times newsletters. Galerie St. Etienne, 24 West 57th Street, Manhattan, , gseart.

Puryear is widely admired for the formal invention and impeccable craft he brings to wooden sculpture. He is a philosopher too. A cube-shape cage with gridded sides of heavy wooden beams containing a giant eyeball is borne on a cart with big antique wagon wheels. Imprisoned within a Cartesian grid, the eye looks backward but is blind to the future. McKee, Fifth Avenue, at 57th Street, , mckeegallery. Galleries: Chelsea.

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As if that were news. Leslie Tonkonow, West 22nd Street, , tonkonow. And although little seen at the time of his death from AIDS in London in , at age 34, his pictures have become classic examples of the kind of rethinking and re-experiencing of identity that was transforming new art three decades ago, and it continues to have power. Gagosian Gallery, West 24th Street, , gagosian. Peter Blum, West 29th Street, , peterblumgallery. Galleries: SoHo. In it, art and science, age-old partners, meet, linked by a connective tissue of ecological consciousness. Given his subject, Mr.

This is art for adults: factual, disturbing, beautiful. Galleries: Other. Major exhibitions included his elegant, stripped-down configurations of hardware-store materials like chain-link fencing, pipes, ropes, hoses, lumber, saw horses, oil barrels, and nuts and bolts. Then he left New York and became a forgotten man. Building on Governors Island, , cooperhewitt.

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The second part will be devoted to works by mental patients in a class that Mr. Melgaard teaches at Bellevue Hospital; the third part will feature the little-known paintings and drawings of the kinky fashion photographer Guy Bourdin. The main attraction here is a living abbreviated approximation of the two major gardens that he designed and planted: one in traditional, orderly French style, the other a Japanese-inspired fantasia of water, blooming water lilies and weeping willows.

With much less paper, it's "Lights-Camera-Action starring Have fun! Sunny comes from out of town to visit his father John Matthew , only to discover his pop surrounded by police, businessmen, and lawyers Ephesians The son stands his ground until the banker finally gives in Luke And, with the bill now in junior's name, the son simply reaches in his pocket and pays it off, cash Isaiah And immediately after, many witness the banker and the son wink at each other.

To this day, spectators wonder, "Did the banker secretly arrange for this well-timed rescue? Psalms A posterity shall serve Him. It will be recounted of the Lord to the next generation Back to Story. Proverbs Where there is no revelation, the people cast off restraint; But happy is he who keeps the law. Back to Story.

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Proverbs Pride goes before destruction, And a haughty spirit before a fall. Repent, and believe in the gospel. Matthew "Do not think that I came to destroy the Law or the Prophets. I did not come to destroy but to fulfill. Luke For whoever exalts himself will be humbled, and he who humbles himself will be exalted. Your own nation and the chief priests have delivered You to me. What have You done? John The thief does not come except to steal, and to kill, and to destroy.

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I have come that they may have life, and that they may have it more abundantly. The Lamb of God who takes away the sin of the world! I John By this we know love, because He laid down His life for us.

And we also ought to lay down our lives for the brethren. I John the life was manifested, and we have seen, and bear witness, and declare to you that eternal life which was with the Father and was manifested to us Back to Story. Isaiah He is despised and rejected by men, A Man of sorrows and acquainted with grief.

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And we hid, as it were, our faces from Him; He was despised, and we did not esteem Him. Ephesians For we do not wrestle against flesh and blood, but against principalities, against powers, against the rulers of the darkness of this age, against spiritual hosts of wickedness in the heavenly places. Fun Bible Study for All Ages! Much like dinner-and-a-movie, these Christian riddles are like movie-and-a-dinner: a new mystery which later becomes a devotional to feast on with family and friends!

Enjoy bible study options with the following ALL included inside :. Or You Can Become the Story! With the Family Skit Version included , you can rehearse the script right from your Kindle! Invite your friends, your church, and your bible study group for a playful play full of inspiration.

Finally experience bible study with a twist!