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Sunset Boulevard Bibliography | GradeSaver
But the story of Sunset Boulevard doesn't end with the movie's success and acclaim at its release in There's much more, and Staggs layers this stylish book with fascinating detail, following the actors and Wilder into their post- Sunset careers and revealing Gloria Swanson's never-ending struggle to free herself from the clutches of Norma Desmond. Close-Up On Sunset Boulevard also chronicles the making of Andrew Lloyd Webber's musical production of Sunset Boulevard and the explosive diva controversies that dogged it.
The book ends with a shocking example of Hollywood life imitating Hollywood art. By the last page of this rich narrative, readers will conclude: We are those "wonderful people out there in the dark. He lives in Dallas, Texas. Staggs serves up another round of popcorn in this highly enjoyable follow-up to All About "All About Eve," plumbing the depths of the noir homage to the silent era, Sunset Boulevard.
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The book traces the film's history from the studio pairing of Billy Wilder and Charles Brackett as screenwriters to the Academy Award disappointments to the film's rebirth as an Andrew Lloyd Webber musical in the s. Staggs's research is impressive: in addition to traditional print sources, he tapped unexpected sources, such as the film's previously uninterviewed supporting actress Nancy Olson, and explored nifty locales, like Norma Desmond's would-be neighborhood.
The intrepid reporting results in little-known film facts: how co-art director John Meehan conceived and set up the face-down water shot of the dead Joe Gillis William Holden and why then-megastar Montgomery Clift did not want to play opposite older female character Norma Desmond Gloria Swanson. Also entertaining are Staggs's descriptions of the many behind-the-scenes cat fights. Some of Staggs's film analysis such as his take on the "crowd-pleasing kitsch" sound movies of Cecil B. Diamond pairings are sharp and original.
There are also plenty of edifying sidebars on topics such as the history of Norma Desmond's exotic car the Isotta-Fraschini , changes made to the script and "Smiling Franklyn Farnum," the silent western star who plays Norma Desmond's pet undertaker. Staggs has succeeded in presenting another remarkable film study. Photos not seen by PW.
Sunset Boulevard Sources and ClassicNote Author
Copyright Cahners Business Information, Inc. Convert currency. Add to Basket. Compare all 19 new copies. Martin's Press, Hardcover. Book Description St. Martin's Griffin. Condition: New. More information about this seller Contact this seller. Paperback or Softback. Seller Inventory BBS To this extent, Sunset Blvd. In the film, the tone defined and used by the director is of course the same as described before, has having hypocrisy, cynicism and irony as its main characteristics.
Which is, logically, a portrait of the real world. The real Hollywood. Nilsson and H. He drew from life when Norma visits Cecil B. Griffith, Cecil B. Sunset Blvd. For much of these elements are still part of contemporary society.
Moreover, the director was able to pass all these ideas through words — dialogue and narration — as well as, through the visual style he choose for the film. Joe Gillis: The whole place seemed to have been stricken with a kind of creeping paralysis — out of beat with the rest of the world, crumbling apart in slow motion.
I know your face.
Norma Desmond: Get out! Or, shall I call my servant? You used to be in silent pictures. You used to be big. Norma Desmond: I am big. Joe Gillis: Constantly. Life, which can be strangely merciful, had taken pity on Norma Desmond. The dream she had clung to so desperately had enfolded her.
There's much more, and Staggs layers this stylish book with fascinating detail, following the actors and Wilder into their post- Sunset careers and revealing Gloria Swanson's never-ending struggle to free herself from the clutches of Norma Desmond. Close-Up On Sunset Boulevard also chronicles the making of Andrew Lloyd Webber's musical production of Sunset Boulevard and the explosive diva controversies that dogged it. The book ends with a shocking example of Hollywood life imitating Hollywood art.
By the last page of this rich narrative, readers will conclude: We are those "wonderful people out there in the dark. Staggs uses his considerable knowledge of the film industry to highlight the many fascinating stories behind the making of the movie.
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